idiomatic language造句

• Elements of modern idiomatic language underline the contemporaneousness of the issues.
• Or discussing the colorful, idiomatic language of headlines?
• Many of the translations have meanings that resonate in China's rich idiomatic language.
• The Fed itself offered a similar explanation for its move, in its own idiomatic language.
• However, idiomatic language rather than body language is what I am interested in when it comes to standing.
• Our Saint's saying and instructions were issued in daily spoken idiomatic language but it was full of spirituality and veracity.
• But their rich, idiomatic language has little in common with the more standardized, and at times professorial, English the playwright himself speaks.
• Exploring the origins of " crazy English " can be fun, but don't get sidetracked by the notion that idiomatic language " doesn't make sense ."
• It was largely a revision of the 1921 Fyre Car Bible, but with much of Seippel's idiomatic language toned down in order to harmonize better with the Bible Society's own Norwegian translation published in 1930.
• Riccardo in Verdi's " Ballo in Maschera " or Mario in Puccini's " Tosca " was to hear a voice triumphant in terms of heritage, style, lyricism and, especially, idiomatic language.
• After his first novel, Brossard received little critical recognition for his fiction in the United States, as he had " an unconventional style and characters . " Brossard tended to write about characters who were outsiders : " thieves, chimney sweeps, harlots, counterculture activists . . . " and used the idiomatic language of mostly spoken voice.
• She shattered the near monopoly of male domination in literature by her one feat, while on the one hand, she won the accolades and acclaim of all senior writers for use of'homely'language, a folksy-idiomatic language used by women folk in their household and thus brought in a new literary flavour in Sindhi literature.
• Dehumanization can occur discursively ( e . g ., idiomatic language that likens certain human beings to non-human animals, verbal abuse, erasing one's voice from discourse ), symbolically ( e . g ., imagery ), or physically ( e . g ., chattel slavery, physical abuse, refusing eye contact ).
• In 2006 Robert Koelzer wrote about another aspect of this apparent " easiness ", noting that Conversation poems such as " . . . Coleridge's " The Eolian Harp " and " The Nightingale " maintain a middle register of speech, employing an idiomatic language that is capable of being construed as un-symbolic and un-musical : language that lets itself be taken as'merely talk'rather than rapturous'song'."
• In providing an overview of Frost's style, the Poetry Foundation makes the same point, placing Frost's work " at the crossroads of nineteenth-century American poetry [ with regard to his use of traditional forms ] and modernism [ with his use of idiomatic language and ordinary, every day subject matter ] . " They also note that Frost believed that " the self-imposed restrictions of meter in form " was more helpful than harmful because he could focus on the content of his poems instead of concerning himself with creating " innovative " new verse forms.